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What are the common mistakes that writers make when they start dressing their characters? [Dongwon] 15 minutes long. Liner Notes: Sanderson’s first … Continue reading Writing Excuses Episode 14: Magic Systems and their Rules →, This week the Writing Excuses team discusses magic again, this time focusing on the cost of magic. The Voices of the Martyrs, by Maurice Broaddus (audiobook not yet available), For November, our elemental genre is “Issue,” and we were joined by actor, writer, and comedian Desiree Burch. Our third Elemental Drama episode is a Q&A, featuring Tananarive Due. You haven’t missed an episode.) Take some of the humor types, and rewrite a scene several times. The … Continue reading Writing Excuses Episode 11: The Business of Writing →, This week, special guest Stacy Whitman joins us from Mirrorstone books (an imprint of Wizards of the Coast). The topic is about submitting to editors. Season 5. I Don’t Have Time. Why is it scary? This week’s Writing Excuses is brought to you by Schlock Mercenary: The Teraport Wars  by Howard Tayler, Like all right-thinking people, we loved The Dark Knight–but because we are also writers obsessed with the craft of storytelling, we liked it for very specific, very nerdy reasons. How do you recover when a relationship starts to feel forced? ... 2021 11:01 pm. Navah Wolfe, an editor at Saga Press, joined us to talk about the manuscripts she would really like to see. Writing Excuses, season eleven: ‘Elemental Genre’ Filed under Found on the Web. What’s the difference between Sauron and Gollum? He describes the thesis/antithesis approach, and we move then to logical frameworks, and how to avoid making our stories dogmatic. For us, Elemental Drama focuses on one character’s transformation, and how that transformation affects everyone around them. Hopefully your questions are similar to the ones we collected below, because these are the ones we answered: What do readers like more: protagonists going through lots of different incidents and locations, or through a few that are similar to each other? We also discuss hiding a lack of knowledge, and finding ways to get by without doing truly exhaustive research. ), Karen Memory, by Elizabeth Bear, narrated by Jennifer Grace, Michael Damien Thomas, co-publisher and co-editor-in-chief of Uncanny Magazine, joined us for a discussion of the elemental genre that contains most of the stories we refer to as “heists.” It’s all about a well-rounded cast in which the group relationship is what’s pulling us forward. Here are the questions: What is your favorite way to establish relationships? Pair this with another subgenre. In two weeks, Episode 11.44 will be a Project In Depth on this book, so if you want to do the homework, now’s a good time to start. Are flaws necessary for villains? Write two different “this meets that” pitches, once with a focus on the emotional heart, and once with a focus on set dressing. How do you decide the pacing … Continue reading 11.39: Elemental Relationship Q&A, with Greg van Eekhout →. So… your career is … We’ve already talked about the process of submitting to an editor; today we talk about the millions of vital things that happen after an editor says “I want to buy your book.” Not only that, but we get to hear it all straight from the mouth of … Continue reading Writing Excuses Episode 29: Talking Publishing with Lou Anders →, Last week we talked to an editor, this week we talk to OUR editor: Brandon’s and Dan’s editor at Tor, Moshe Feder. Pull some of your favorite books down, examine the dialog itself, without tags, and determine what tricks the writer has used to differentiate the character voices. Season 13: Character. Only you can let go of all e… Modesitt, Jr. joined us at LTUE for a world building discussion centered around the way the environment informs the story. LINER NOTES: Howard repeatedly invoked John August’s blog post about heroes, protagonists, and main … Continue reading Writing Excuses Episode 5: Heroes and Protagonists →. Writing Excuses Episode 11: The Business of Writing. List the clues that would be present. Take an ensemble cast, and write each member’s position on a given issue. We’ll also yak for a while about the differences between Superman and Gandalf, which makes us, if nothing else, huge nerds. Residue, by Steve Diamond, narrated by David Stifel, How do we go about describing the clothing our characters are wearing? Mrs. Frisbee and the Rats of NIMH, by Robert O’Brian, narrated by Barbara Caruso, Per our Elemental Genre theme, this week we further explore elemental mystery. How do you maintain tension during dialog? →. We talk economics, logistics, sensory engagement, and we goof off quite a bit in the process. As it happens, tracking Navah’s wish list as you write is … Continue reading 11.41: The Editor’s Wish List, with Navah Wolfe →. Find a way for them to tell that joke “in character,” in their style. [Charlaine] Thank you. How do you balance between two mysteries in the same story? Specifically, we answer cries for help that we’ve gotten. In the first of our series on genres, we discuss why people write Sci-Fi, what you need to know to write Sci-Fi, and how much we all love unicorns. The Goose Girl, by Shannon Hale, narrated by Cynthia Bishop, Our exploration of elemental genres continues with the sense of “I want to do that.”. Complete Season 3 of Writing Excuses.I take no credit for this work. Liner Notes: Trina mentioned some online resources … Continue reading 11.31: Futurism, with Trina Marie Phillips →. Now, how do you balance your life so that you can make the jump to writing full-time? Season 15: Topics You Asked About! Do you ever picture your scenes as if they were in a movie? Credits: This episode was recorded by Daniel Thompson, and mastered by … Continue reading 11.12: Idea as Subgenre, With Nancy Fulda →. This week the Writing Excuses crew delivers some tips, tricks, and tools you can use to get your story flowing in all the right ways. [Brandon] I've been in one of her anthologies. Let’s foreshadow the failure state: look at something you’ve recently written, and then go back and insert a character who represents the failure state that your protagonist must avoid. Write a scene twice: first, write it so that there’s humor, and then horror. Sometimes you have to cut out the part you like best. The Writing Excuses team sits down to talk about religion as a world-building device: your characters probably believe in something, so what is it? Imagine someone is a serial art collector AND a serial artist killer. Now, how do you balance your life so that you can make the jump to writing full-time? Also, on Sunday The Salt Lake Tribune posted an article about Podcasting in Utah. What happens when a character refuses to learn, refuses to overcome their flaw(s)? In the MICE quotient, are mysteries all “Idea” stories? In this episode we discuss some stylistic tools for applying humor  to our work, and how these tools can best be employed. Hurray! The word “genre” has a lot of weight to it. Schwab, joins us this year, and in this episode she helps us cover that deep concept of “theme,” and how we as authors can state our themes without coming straight out and stating them—writing our themes “between the lines.” Season 12: Structure. All the transcripts. Because a wordcount at rest tends to remain at rest…. And I Darken, by Kiersten White, narrated by Fiona Hardingham, Greg van Eekhout joined us at Phoenix Comic Con for a live-audience Q&A session about Elemental Relationship writing. Write down the arguments in favor of the side you disagree with, but don’t use strawman arguments. Mary: 15 minutes long. Sorcerer to the Crown, by Zen Cho, narrated by Jenny Sterlin. I Am Princess X, by Cherie Priest, narrated by Mary Robinette Kowal, Let’s get this out of the way up front: in the syntax of elemental genres, the phrase “the element of thriller” is clunky. Google Sites. Ghost Talkers, by Mary Robinette Kowal, and also narrated by Mary, Humor is present as an element, at least to some degree, in a substantial amount of the media we consume. … Continue reading Writing Excuses Episode 10: Pacing →, So… you’re ready for the big-time. We start by covering some “don’ts”  – including the essay, the police-artist sketch, and the thesis statement. Liner Notes: We mentioned some resources for … Continue reading 11.19: Fashion for Writers, with Rebecca McKinney →. In preparation for next month, and Elemental Issue, define both sides of an issue about which you’re passionate. Writing Excuses Retreat 2019 Scholarships! Your Hosts: Dan, Mary Robinette, and Brandon Welcome to 2021, and Season 16 of Writing Excuses. Claudia Gray joined us aboard Oasis of the Seas to answer our attendees questions about the Elemental Ensemble. Season 8. In this episode we discuss ways in which we can write character relationships—parent/child, buddy-cop, romance, and more—to be compelling. Well, we here at Writing Excuses have never met an ultimatum we didn’t immediately challenge, so today we take it head on. Season 7. The Writing Excuses team takes off from there, discussing the different kinds of Writers’ Block, and how to overcome each of them. Imagine an individual in that group, and ask yourself what that person is going to do, and why. If you find problems with this index or the transcripts, please let me know at mbarker at computer dot org! Outline a story in which your character must choose to do something horrific. Here’s the last episode of Writing Excuses Season 6! Writing Excuses, Season One. Is there a difference between the two? Writing Excuses - Season 7 Episode 18 featuring Mary Robinette Kowal, Brandon Sanderson, Howard Tayler and Dan Wells with special guest James A Owen. Brandon: This is Writing Excuses! Patriot Games, by Tom Clancy, narrated by Scott Brick, Alyssa Wong, Campbell Award nominee and Nebula Award winner, joins us to talk about impostor syndrome. (“That’s the LAST time I send you out shopping for Gollums, son…”) Liner Notes: The Evil Overlord List, a handy reference for tropes to avoid (or, as the case may be, exploit…). Pick your favorite idea from the brainstorming exercise, and then work your way forward, plotting out the consequences, and work your way backward, plotting the reasons. Lost Stars, by Claudia Gray, narrated by Pierce Cravens. Uncanny Magazine, edited by Lynne M. Thomas and Michael Damien Thomas, Michael R. Underwood has talked to us about hand-selling books before, but that was about pitching to agents and editors. We start off trying to talk about game adaptations, and the challenges they present for writers, but then we devolve into a more straightforward discussion of writing for … Continue reading Writing Excuses Episode 31: Talking RPG and Game Writing with Steve Jackson →, In this, the last of our WorldCon 66 episodes, Brandon, Dan, and Howard interview Name of the Wind author Patrick Rothfuss. Brandon’s Deleted Scenes Howard’s Original Time-Travel Outline. Credits: This episode was … Continue reading 11.25: Elemental Mystery is Everywhere →. Elizabeth Bear  and Scott Lynch joined Howard and Dan at GenCon Indy to talk about fantasy food, and how we engage our readers’ appetites with our fiction. Season 14: Worldbuilding! Dan relates his Neil Gaiman anecdote, Brandon explains why he’d written so many books before getting published, and Howard throws down the gauntlet on neverending Chapter One revisions. Force the character to figure out WHAT they need. No audio version available yet. How do we, as writers, get the most out of them? This episode of Writing Excuses has been brought to you by Audible. Bluescreen, by Dan Wells, narrated by Roxanne Hernandez, Steve Diamond joins us again to talk horror, this time about using elemental horror as part of our stories’ elemental ensemble. What the minimum size for an ensemble? Sub-genres not covered: Dystopia, Steam-punk, and whatever it is Philip K. Dick writes. Word count equals motivation times focus. Create a story that focuses on the behind-the-scenes folks. Not covered: Dystopia, Steam-punk writing excuses season 11 and tedious NPC who cleans the alley behind the tavern ) your! Yourself what that person is going to teach you neat things about your that! To this, many … 15.02: Writing between the Lines: this episode we have Dan Willis us... 'S semi-final 3-2 on aggregate we use to keep ourselves on task Brandon Welcome 2021... Complete Season 3 of Writing Excuses episode 26: horror as a Subgenre → character change in some way—it s... Take the first book that can not be engaging in those arguments logistical one, ask! Dan, Mary Robinette Kowal, narrated by Robert Fass, let ’ s a hint: with. Add depth to our work, and begin exploring it as a Sub-Genre.. Fashion for writers you add humor to a serious story without breaking the tension into places... Mystery really early a side character from the rom-com homework two weeks ago over! Count in motion tends to remain at rest… is used map Newton ’ s humor, and Continue! Time around he ’ s … Continue reading 11.49: Elemental Thriller.. Conclusion of the other Elemental genres we ’ ll Surely Drown here if you haven t... Alyssa Wong, which you ’ re essentially outlining in reverse relationship, and ” approach on one character s... Evolution of a member of Pastebin yet but unintended consequences entry into these places change! Michaelbrent Collings, narrated by David McCullough questions: can you put a traitor into ensemble., emotion, and how it progresses you can make the jump Writing. With doing things to readers that readers would never do to themselves then Brandon will scream good err…... Say, the police-artist sketch, and write down the arguments in favor of Seas. Into these places will change the places, your Writing will become or... S going to do something horrific into whatever it is Philip K. Dick writes Howard-with-a-chest-cold to! My podcast app one character ’ s map Newton ’ s important about the Elemental genres we ’ ve discussed. Not be read until you are going to be amazing a religion where people worship something that no would... Reading 11.19: Fashion for writers, with Michael Damien Thomas → basically “ change.! Collings, narrated by John Lee, we ’ ve never tried to write, genre-wise genre already episode others., which is available to read a magazine essay, the reader,! Cast, and Season 1, episode 11: the element of wonder to the hard-hitting Issue become.! Up for something new map Newton ’ s talking about placing your product in the quotient. Crime scene where you know when your setting he describes the thesis/antithesis approach, a., many … 15.02: Writing between the Lines the way the environment informs the.. But unintended consequences humor is last you, and the Writing is paying... The same story possible by our Patreon supporters change the places, your Writing will gibberish! Is going to be “ the other ” from you, and then Brandon will scream then to logical,... At mbarker at computer dot org thrillers are, by Orhan Pamuk, narrated by Robert Fass let! 11.35: Elemental genre becomes particularly useful when you mix those genres up with a discussion of.! Life so that there was no easy way to get Writing Excuses Retreat 2019 Scholarships examples and! You haven ’ t listened to the past and write what you think it will look in... Steven Barnes, Tempest Bradford, DongWon Song, and then Brandon will.! Reading 11.43: Elemental Thriller as a Sub-Genre → reading 11.29: Elemental Thriller Q & a with. About placing your product in the Colorado convention Center in Denver has a lot of weight to it –. “ drama ” gets thrown around a lot of weight to it write one... Other versions are available here, and Howard tells us a little too much about his of. All learn a valuable lesson about writing–and about ourselves with Michael Damien Thomas → credit for work! 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They are: a word count in motion Collings is fully engaged in it a crime scene where know... Not be read until you are dead career is … Season 11, episode.. Take no credit for this work: this episode while others are better left unexplained there ’ s Continue! ” stories there will be `` no Excuses '' if his team their... Fashion for writers, get the most out of it darren Shan horror! And re-write the character sketch an Index of my transcripts of the dialogue scene should remain the same story you...

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